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We scored 5 tickets and one parking pass for the Family Festival at the Getty Villa. We met up with another family on Pacific Coast Highway with the aid of cell phones and headed up to the villa's new parking garage.
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There is a sense of urgency about seeing the permanent collections at the Getty. You never know when they will be claimed by and repatriated to other nations. The mosaics were lent by Tunisia and the commentary tried to be sensitive to that issue. Taking the mosaics out of the elements preserves them, but also take them out of the context that they were meant to be seen and enjoyed.
For instance, fish spill out of a tipped basket. They should look like they have spillt across a floor. Instead, they look like they are swimming up a wall.
That reminds me of a comment by an art critic about when quilts made the big leap from the bed to the wall. I didn't understand that comment until today. I am young enough to have taken it for granted that some quilts belonged in museums and that they would, of course, hang vertically. (The hugely influential Whitney exhibit of Amish quilts in 1971 proved that.) I hadn't realized what a difference a change in perspective from horizontal to vertical can make.
We had a lovely afternoon. The evening was just as beautiful. This is the view leaving the villa just before sunset. Note the green sod roof on the new parking structure.
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